OCEAN STORIES
I've been an Editor & Filmmaker for 20 years. Most of my work has been within the Natural History genre, editing documentaries and environmental campaigns.
Storytelling skills and techniques that were learnt in the edit suite have transferred to roles in directing and producing, leading to some great collaborations.
Films I look most forward to working on in the future are those that aim to make a difference.
Stay tuned for the next film on our Ocean connection. Coming soon.

CONSERVATION, NATURAL HISTORY, CAMPAIGNS
CLIENTS: COP26 United Nations Climate Change Conference, Amnesty International, National Geographic, Global Conservation, ZDF, Smithsonian, Waterbear, Norwegian Environmental Agency, Four Paws, Triodos Bank,
Explore my FULL FILM PORTFOLIO, featuring a broader range of editing and production work beyond my ocean-focused projects.
Check out our film UNDERCURRENTS
I had the great fortune of working with Bronwyn on a couple of short films that had a tricky deadline, and with COVID it was made all the more challenging. Bronwyn made the whole experience a joy, as she was able to quickly grasp the editorial, the narrative and the style and send me versions of the film as I had imagined. And then she went on to add her own spices to the projects which transported them to a "next level". Though we've never met in person, I feel like I know her and trust her, and can fully recommend her to any project in search of "safe hands".
Nicolas Brown, Director
2 Baftas, 4 Emmys, 50+ Major Festival awards
Bronwyn has worked on a number of productions for the company, from full length documentaries through to high end short-form VTs for National Geographic and other clients. She is a fast, efficient, talented editor and we can rely on her to work independently. Whilst working with Off the Fence, Bronwyn always has a very positive attitude and she
works well with our producers.
Karen Meehan
Off the Fence, Post Production Manager
I love working with Bron, she always delivers better than my imagination! She creates clear structures and edits with an emotional nuance that make her stories ebb and flow in the most delightfully palatable form
Bronwyn is exceptionally efficient and has delivered ahead of schedule many times. With a sharp attention to detail, this combination of creativity and productivity makes her my first choice for many projects.
Verity White
FIVE FILMS / BBC Natural History
Bronwyn Harvey edited the Black Lagoon episode of the series Speed Kills, which I directed and produced for EarthTouch, Smithsonian Channel, US & National Geographic Channel. It's a tough series combining extraordinary bluechip wildlife scenes wrapped in dramatic narratives while highlighting the science of the speed behind the various creatures predations. Stylistically it is unlike any other show on factual television and Bronwyn rose to the challenge and edited an incredible episode, exceeding my expectations of how the footage can be used to create the mood, drama, as well as readily accessible science content for the audience of this hit series. She's an absolute pleasure to work with, has a great flair for storytelling and rhythm and I'd recommend her to anyone, not just in the wildlife content game, but in any genre.
Richard Slater Jones, Director
Setting Sun (MELBOURNE, AUSTRALIA) - Best Documentary 2021 “ M A C H I N E A G E”
Setting Sun (MELBOURNE, AUSTRALIA) - Best International Film 2021 “ M A C H I N E A G E”
SheExtreme (BRISTOL, UK) - Best Adventure Documentary 2019 “U N D E R C U R R E N T S”
Adventure Uncovered (LONDON, UK) - New Talent Award (Directorial Debut) 2019 “ U N D E R C U R R E N T S”
PSFF (PORTUGAL) - Honourable mention 2019 “ U N D E R C U R R E N T S”
European Science TV and New Media Awards (PORTUGAL) - Best TV Documentary chosen by a Young Jury 2015 “ K I L L E R I Q”
Blue Ocean Film Festival (FLORIDA) - Honourable Mention - Broadcast Programme TV Category 2014 “ S P E E D K I L L S”
Blue Ocean Film Festival (FLORIDA) - Finalist - Marine Life Category 2014 “ S P E E D K I L L S”
International Scientific Film Festival, (HUNGARY) - Special Mention for “outstanding statuesque and visual depiction of the
sophisticated topic” 2012 “ J U S T T R I A L A N D E R R O R”
31st International Wildlife Film Festival (MONTANA) - Honourable Mention for Good Conservation Story 2009 “ B U F F A L O
W A R R I O R”
Kendal Mountain Film Festival (KENDAL, UK) - Official Selection 2020 “ U N D E R C U R R E N T S”
Mecal Shorts and Animation (BARCELONA, SPAIN) Official Selection 2021 “ M A C H I N E A G E”
Odense (DENMARK) - Official Selection 2021 “ M A C H I N E A G E”
AWARDS
soundwavesnoosa@gmail.com
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Soundwaves Noosa is based on the lands and waters of the Gubbi Gubbi people, the Traditional Custodians of this Country.
We acknowledge their deep and continuing connection to Country, waterways and the natural world, and pay our respects to Elders past and present.
We recognise that these lands and waters have been cared for, known and understood for thousands of generations — and that there is much we can learn from this enduring relationship with Country.
